A broadcaster does not ask how a film was made. It asks for a compliant master, and that is where many generated projects fail.
The three most common blockers are frame rate, rarely stable straight out of generation, colour, which must be brought into a normalised space, and audio level, subject to precise standards.
Our method is to treat generation as rushes: it is raw material, not a finished film. Everything then goes through a classical post-production chain.
It is this stage, invisible to the viewer, that separates an impressive social video from a film a broadcaster can actually schedule.